"A lovely, beautifully written and constructed novel that I couldn’t put down, full of memorable, unusual characters... Mandel’s agility with time in this story was a marvel."
—Kristin Hannah, author of The Nightingale"The question of what is real—be it love, money, place or memory—has always been at the heart of Ms. Mandel’s fiction... her narratives snake their way across treacherous, shifting terrain. Certainties are blurred, truth becomes malleable and in
The Glass Hotel the con man thrives... Lyrical, hypnotic images... suspend us in a kind of hallucinatory present where every detail is sharply defined yet queasily unreliable. A sense of unease thickens... Ms. Mandel invites us to observe her characters from a distance even as we enter their lives, a feat she achieves with remarkable skill. And if the result is a sense not only of detachment but also of desolation, then maybe that’s the point."
—Anna Mundow, Wall Street Journal
“A striking book that's every bit as powerful — and timely — as its predecessor… In Vincent and Paul, Mandel has created two of the most memorable characters in recent American fiction… Mandel's writing shines throughout the book, just as it did in
Station Eleven. She's not a showy writer, but an unerringly graceful one, and she treats her characters with compassion but not pity.
The Glass Hotel is a masterpiece, just as good — if not better — than its predecessor. It's a stunning look at how people react to disasters, both small and large, and the temptation that some have to give up when faced with tragedy.
” —Michael Shaub, NPR
"Though its characters were inspired by Bernie Madoff, his victims, and his enablers, there’s much more to this novel than ripped-from-the-headlines voyeurism; it’s a gorgeously constructed tapestry, each jewellike sentence building to one of the most devastating, moving endings in recent memory. I read it when I was feeling uniquely exhausted by the demands of COVID-era living; I still couldn’t put it down."
—Vanity Fair"Mandel’s gift is to weave realism out of extremity. She plants her flag where the ordinary and the astonishing meet, where everyday people pause to wonder how, exactly, it came to this. She is our bard of waking up in the wrong time line... One effect of Mandel’s book is to underscore the seemingly infinite paths a person might travel... There is a suggestion, toward the end of
The Glass Hotel, that frequent commerce with the dead (or the imaginary) might reconnect us to the living... Perhaps it is with this in mind that Mandel has constructed a fantasy for our temporary habitation. Her story offers escape, but the kind that depends on and is inseparable from the world beyond it."
—Katy Waldman, The New Yorker
"[This] novel [is] so absorbing, so fully realized that it draws you out of your own constricted situation and expands your sense of possibilities. For me, over the past 10 days or so, the novel that's performed that act of deliverance... it's "straight" literary fiction, gorgeous and haunting, about the porous boundaries between past and present, the rich and the poor, and the realms of the living and the dead... This all-encompassing awareness of the mutability of life grows more pronounced as
The Glass Hotel reaches its eerie sea change of an ending. In dramatizing so ingeniously how precarious and changeable everything is, Mandel's novel is topical in a way she couldn't have foreseen when she was writing it."
—Maureen Corrigan, Fresh Air “A wondrously entertaining novel…
The Glass Hotel is never dull. Tracing the permutations of its characters’ lives, from depressing apartments in bad neighborhoods to posh Dubai resorts to Manhattan bars, Colorado campgrounds, and the Edinburgh Fringe Festival is like following the intricate patterns on Moroccan tiles. The pleasure, which in the case of
The Glass Hotel is abundant, lies in the patterns themselves… This is a type of art that closely approximates life, and a remarkable accomplishment for Mandel… This novel invites you to inhabit it without striving or urging; it’s a place to be, always fiction’s most welcome effect.”
—Laura Miller, Slate"
The Glass Hotel may be the perfect novel for your survival bunker... Freshly mysterious... Mandel is a consummate, almost profligate world builder. One superbly developed setting gives way to the next, as her attention winds from character to character, resting long enough to explore the peculiar mechanics of each life before slipping over to the next... That Mandel manages to cover so much, so deeply is the abiding mystery of this book. The 300 pages of
The Glass Hotel work harder than most 600-page novels... The disappointment of leaving one story is immediately quelled by our fascination in the next... The complex, troubled people who inhabit Mandel’s novel are vexed and haunted by their failings, driven to create ever more pleasant reflections of themselves in the glass."
—Ron Charles, The Washington Post
"An eerie, compelling follow-up... not your grandmother’s Agatha Christie murder mystery or haunted hotel ghost story... The novel’s ongoing sense of haunting extends well beyond its ghosts... The ghosts in
The Glass Hotel are directly connected to its secrets and scandals, which mirror those of our time... Like all Mandel’s novels,
The Glass Hotel is flawlessly constructed...
The Glass Hotel declares the world to be as bleak as it is beautiful, just like this novel."
—Rebecca Steinitz, The Boston Globe
"Another gripping tale of interconnected lives."
—People
"A good pick for anyone struggling to focus right now. You won’t be able to look away."
—The Skimm
"Another swirling novel that takes readers through some of the darkest moments of people's lives -- but don't let that deceive you into thinking this is one bleak read. It's more like a fantastic reading companion, tonally and thematically similar, to HBO's movie
Bad Education... the full picture devastatingly comes together at the end."
—Thrillist
“A beguiling tale about skewed morals, reckless lives and necessary means of escape… A sprawling, immersive book… The novel’s scope and brimming vitality are… its strengths.”
—The Economist
"Mandel has done again what she does best: wrapping up the stories of a large cast of characters into one cohesive package...
The Glass Hotel is a quietly rewarding book. Despite its subject matter, it is as unlike a financial thriller as can be. Instead, it offers a look at the lives left unlived and the siren song of money. Come for the Ponzi scheme, stay for the satisfying conclusion."
—The Harvard Crimson
"Emily St. John Mandel’s storytelling stretches to see into as many windows as possible. Peer closely: characters move between windows, themes reflect and refract... These are not novels weighted by philosophical debates, however, but stories buoyed by serious concerns; Mandel is as dedicated to plotting as she is to characterization... Characters are linked in unexpected directions, within and between books. It’s a joy to pull at the threads and follow their knots and loops... And despite all the glass, there is more conflict than clarity. This makes for compulsively readable novels, carefully crafted page-turners. Don’t just say you’ll visit someday. Call ahead. Make a reservation. Check out the view from
The Glass Hotel. Enjoy your stay.”
—Marcie McCauley, Chicago Review of Books
“An ephemeral quality permeates the novel… It’s a thrill when the puzzle pieces start to fit together… The final chapter is haunting, taking readers full circle… It’s a sense readers will enjoy as well when they lose themselves in Mandel’s novel.”
—Rob Merrill, Associated Press
“Emily St. John Mandel has a knack for explosive openings… Mandel is constructing a sort of multiverse that demonstrates the power of fiction to imagine simultaneous realities.”
—Josephine Livingstone, The New Republic
"Mandel’s characters are crisply drawn, all sharp lines and living color. Everyone in the book is witty... Taken together, their overlapping stories are gripping, in part because we spend so much time in their heads we have to know how it all turns out and in part because they are all eventually honest with themselves, with the exception of Alkaitis. They all wish they were good people but don’t think they ever will be. Mandel’s books are soulful and subtly philosophical."
—Seth Mandel, Wsahington Examiner
"The Glass Hotel moves backward and forward in time, shifting voice and perspective in a way that helps highlight coincidences and broaden one’s perspective. Readers will enjoy piecing together the fragments and clues that Mandel leaves for them.... Mandel shows, in countless ways, just how tenuous our lives can be, how easily illusions evaporate and relationships dissolve. Her writing is perceptive and expressive, constructing a novel that is simultaneously complex and compelling, worthy of either a slow read or a breathless one.""
—Book Reporter
"Mandel’s brilliant new novel,
The Glass Hotel, is... artful in its time-skipping, globe-hopping immersion in its characters’ lives... It's a puzzle book... Mandel’s exquisite narratorial juggling is her way of casting light on how we see our lives and attempt to shape them — in retrospect, in anticipation, in our imaginations... Mandel is a marvelous writer... The keenest pleasure of
The Glass Hotel is simply in the magic with which it immerses you in the calm, disorienting way that Mandel and her stubborn, enigmatic heroine see the world."
—Michael Upchurch, Seattle Times
"What Mandel crafts here is the literary equivalent of Paul Thomas Anderson’s
Magnolia,... The rough edges of these connections keep them from feeling too pat, instead creating a world where coincidence is real... What remains haunting about it is the way it transforms familiar environments into expansive worlds. Mandel’s prose is clean and richly detailed, and she seems to know just the right amount of depth to include in each moment... There’s a deep underlying sadness to
The Glass Hotel as a whole, a sense of reflecting on how the end of things is always inevitable. But those emotions come with an accompanying gratitude; while nothing lasts, it was at least with us for a time."
—Liz Shannon Miller, Paste
"Half mist and dreams, this [is a] sophisticated take on the fragility of human connection and the ability to make do with less after the loss of success... Its concern with the sanding of life's jagged edges remains true to readers' expectations of Mandel's incisive vision"
—Shelf Awareness
"Mandel’s crystal ball and uncanny sense of timing remain intact, with a novel of economic collapse, predatory financial figures and widespread corruption... Simply stunning, a boldly experimental work which hooks the reader from its first pages, wending to a powerfully emotional conclusion...
The Glass Hotel is a compulsive read, a commercial crowd-pleaser which will, undoubtedly, find a wide audience. It is also a consummate literary novel, courageous and exciting at a structural level. Books that hit the sweet spot like that are rare to find; we should savour them when we can.
—Robert J. Wiersema, The Toronto Star"The novel proceeds via a series of vignettes set at various points between 1958 and 2029 and ranging around the globe. They gradually knit themselves into a single story in a way that will remind readers of Jennifer Egan’s
A Visit From the Goon Squad.
.. This is a strange, ethereal, and very well-written book, so interesting it might actually take your mind off things for a while."
—Marion Winik, Newsday
"There is a complex grace to
The Glass Hotel that’s often lacking from contemporary fiction, particularly contemporary thriller fiction. It’s not simply Mandel’s deft prose, her ability to write Dickensian networks of coincidence, but her keen observation of human behavior: our fears, our dreams, what drives us, and what might ultimately destroy or save each of us. From the opening scene of the book, I was hooked... a stunningly good meditation on human frailty, the nature of love, and what it means to survive in the modern world."
—Yvonne C. Garrett, The Brooklyn Rail
"The dreamiest, most ethereal novel about a Ponzi scheme that you will ever read... a novel that dives deep into the consequences of the seemingly smallest immoral decisions.
"—Margaret Quamme, The Columbus Dispatch
"There are few better feelings than the sensation that comes with the dawning realization that the book you are reading isn’t just good, but great... Emily St. John Mandel’s
The Glass Hotel offers up just such greatness... A mesmerizing puzzle box of a book... Masterful, an elegantly constructed work of great emotional power and literary sophistication."
—Allen Adams, The Maine Edge
"Emily St. John Mandel has an uncanny knack for shape... For all the metaphysical ponderings,
The Glass Hotel’s most apparent virtue is its breakneck pacing and compulsive readability. It bodes an elegant and fragmented form, one that excellently matches Mandell’s magnificent storytelling. And what more needs to be said about her storytelling? It is nothing short of an insistent and astonishing gift."
—Brady Brickner-Wood, Ploughshares “The Glass Hotel... totally sticks the landing… Mandel’s prose is such a pleasure to read… [I] gave way to real delight in the skill with which Mandel brings together themes that have occupied previous sections of the novel, revisiting earlier characters and incidents from surprising new perspectives in a narrative sleight of hand that recalls what M. Night Shyamalan does in movies such as
Unbreakable. Mandel’s conclusion is dazzling.”
—Chris Hewitt, Minneapolis Star Tribune"Absorbing, finely wrought... Mandel paints an intricately plotted, haunting portrait of heartbreak, abandonment, betrayal, riches, corruption and reinvention in a contemporary world both strange and weirdly recognizable."
—Joyce Sáenz Harris, Dallas Morning News"Mandel... specializes in fiction that weaves together seemingly unrelated people, places and things.
The Glass Hotel... is no exception... Kaleidoscopic... Mandel dissects the surreal division between those who are conscious of ongoing crimes, and those who are unwittingly brought into them...
The Glass Hotel... examine[s] how we respond to chaos after catastrophe."
—Annabel Gutterman, Time"A careful, damning study of the forms of disaster humanity brings down on itself... In a world where rolling disasters fade into one another, it’s a reminder that Mandel wants to lurch us out of the tedium."—
Hillary Kelly, Vulture"
The Glass Hotel will haunt you… Mandel delicately illuminates the devastation wreaked on the fraud’s victims while brilliantly teasing out the hairsbreadth moments in which a person can seamlessly slide into moral corruption…
The Glass Hotel isn’t so much plot driven as it is coiled—a taut braid of lives undone by Alkaitis’ and others’ grifts… negotiating slippery ethics and questionable compromises, and the liminal space between innocence and treachery.” —
Ivy Pochoda, O Magazine"Deeply imagined, philosophically profound…
The Glass Hotel moves forward propulsively, its characters continually on the run… Richly satisfying…
The Glass Hotel is ultimately as immersive a reading experience as its predecessor [
Station Eleven], finding all the necessary imaginative depth within the more realistic confines of its world… Revolutionary.”—
Ruth Franklin, The Atlantic"Long-anticipated... At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical... In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure. A strange, subtle, and haunting novel. —
Kirkus Reviews, starred
"Another tale of wanderers whose fates are interconnected... nail-biting tension... Mandel weaves an intricate spider web of a story... A gorgeously rendered tragedy."—
Booklist, starred "Mandel’s wonderful novel (after
Station Eleven) follows a brother and sister as they navigate heartache, loneliness, wealth, corruption, drugs, ghosts, and guilt... This ingenious, enthralling novel probes the tenuous yet unbreakable bonds between people and the lasting effects of momentary carelessness."—
Publishers Weekly, starred
